Sexual Violence in History: A Bibliography compiled by Stefan Blaschke |
|
Contact Search Introduction + History Announcements + Updates Alphabetical Index Chronological Index Geographical Index Topical Index + Cases + Types + Victims + Society + Research Resources + Research |
Start: Topical Index: Representations: Art: 17th Century:
Representations: Art: »Sir Peter Paul Rubens (/ˈruːbənz/ ROO-bənz; Dutch: [ˈpeːtər pʌul ˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.« -- More information: Wikipedia I. Chronological Index: Modern History: 17th Century | II. Geographical Index: European History: Dutch History | III. Topical Index: Types: General: Rape I. Author Index [Info] Buri, Maureen E. Crimes of Passion: Rape and Abduction in Flemish Mythological Painting, 1600-1650. M.A. Thesis, University of Cincinnatti, 2007. [Info] Carroll, Margaret D. »The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence.« Representations No. 25 (1989): 3-30. [Info] Carroll, Margeret D. »The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence.« Expanding Discourse: Feminism and Art History. Edited by Norma Broude et al. New York 1992: 138-159. [ [Info] Even, Yael. »Daphne (without Apollo) Reconsidered: Some Disregarded Images of Sexual Pursuit in Italian Renaissance and Baroque Art.« Studies in Iconography 18 (1997): 143-159. II. Speaker Index [Info] Even, Yael. »Pursued, Transformed, and Appropriated: Daphne (without Apollo) Reconsidered.« Sixteenth Century Studies Conference. St. Louis 1993. |